A White, White Day (original title: Hvítur, hvítur dagur) is a 2019 Icelandic psychological drama directed by Hlynur Pálmason. The film is a haunting exploration of grief, obsession, and the complexities of familial relationships, set against the stark and beautiful Icelandic landscape.

The story centers around Ingimundur (played by Ingvar Eggert Sigurðsson), a recently widowed police chief living in a remote village. As he struggles to cope with the loss of his wife, he becomes increasingly fixated on uncovering the truth about her death, which he suspects may be more complicated than it initially appeared. His investigation leads him to confront not only the circumstances surrounding her demise but also his own emotional turmoil and unresolved feelings.

The film is notable for its atmospheric cinematography, which captures the desolate beauty of Iceland’s landscapes. The stark whites and greys of the environment mirror Ingimundur’s emotional state, creating a visually arresting backdrop that enhances the film’s themes of isolation and introspection.

Ingvar Eggert Sigurðsson delivers a powerful performance as Ingimundur, portraying a man grappling with profound sorrow and simmering anger. His journey is marked by moments of quiet reflection, as well as intense emotional outbursts, which highlight the film’s exploration of grief and the ways it can manifest in destructive behavior.

The narrative unfolds at a deliberate pace, allowing viewers to immerse themselves in Ingimundur’s internal struggles. The film’s dialogue is sparse, relying heavily on visual storytelling and the weight of silence to convey the character’s emotional landscape. This approach creates a sense of tension and unease, as Ingimundur’s obsession begins to consume him, leading to increasingly erratic behavior.

A White, White Day also delves into themes of memory and legacy, as Ingimundur navigates his relationships with his daughter and his late wife’s family. His investigation serves as a means of both connecting with and distancing himself from his past, raising questions about the nature of love, loyalty, and the impact of unresolved grief.

The film’s score, composed by Jóhann Jóhannsson, adds to its haunting atmosphere, enhancing the emotional weight of key scenes and contributing to the overall sense of melancholy.

Critically, A White, White Day has been praised for its striking visuals, strong performances, and its poignant exploration of grief and obsession. The combination of its slow-burning narrative and atmospheric style has resonated with audiences and critics alike, cementing its place as a standout in contemporary Icelandic cinema.

In conclusion, A White, White Day is a beautifully crafted film that delves into the depths of human emotion, exploring themes of grief, obsession, and the search for truth. With its powerful performances and evocative cinematography, the film offers a profound reflection on the complexities of love and loss, leaving a lasting impact on viewers.