“I Am the Pretty Thing That Lives in the House”: A Haunting Psychological Horror Directed by Oz Perkins

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Released in 2016, “I Am the Pretty Thing That Lives in the House” is a uniquely unsettling psychological horror film directed by Oz Perkins, known for his atmospheric storytelling and mastery of suspense. This film features a standout performance by Ruth Wilson as the lead character, Lily Saylor, a hospice nurse tasked with caring for the aging horror novelist Iris Blum, played by Paula Prentiss. The film has garnered attention for its eerie ambiance and profound exploration of fear, memory, and the nature of existence.

The narrative centers around Lily, who moves into a secluded, decaying mansion to care for Iris, who is suffering from dementia. As Lily settles into her new role, she begins to unravel the unsettling history of the house and its former occupants. The mansion, steeped in mystery, seems to harbor its own secrets, and Lily becomes increasingly aware of a malevolent presence that may be linked to the stories written by Iris. Throughout the film, the line between reality and the supernatural blurs, leading to a haunting exploration of isolation, dread, and the lingering impact of the past.

Oz Perkins’ direction is marked by a meticulous attention to atmosphere and detail. The film’s cinematography, handled by Elisha Christian, captures the haunting beauty of the mansion and the surrounding landscape, employing dim lighting and shadows to evoke a sense of claustrophobia and unease. Perkins utilizes long takes and a slow, deliberate pacing to build tension, allowing the viewer to absorb the haunting imagery and unsettling sounds that permeate the film. The score, composed by The Newton Brothers, enhances the atmosphere, creating an auditory landscape that complements the film’s themes of fear and isolation.

“I Am the Pretty Thing That Lives in the House” is primarily classified as a psychological horror film, but it also incorporates elements of mystery and drama. The film delves into themes of mortality, the passage of time, and the power of storytelling. As Lily confronts her own fears and the shadows of the past, she grapples with the idea of legacy and the haunting nature of unresolved histories. The film’s exploration of memory and identity resonates deeply, inviting viewers to consider the ways in which our past shapes our present.

Ruth Wilson delivers a mesmerizing performance as Lily, portraying a character that is both fragile and resilient. Her nuanced portrayal captures the character’s emotional turmoil as she navigates the eerie environment and the complexities of her relationship with Iris. The chemistry between Wilson and Prentiss adds depth to the narrative, highlighting the contrasts between youth and age, clarity and confusion. The supporting cast, though minimal, contributes to the film’s haunting atmosphere, enhancing the sense of isolation that permeates the story.

Upon its release, “I Am the Pretty Thing That Lives in the House” received mixed reviews from critics, with some praising its artistic approach and atmospheric tension, while others found it slow-paced and challenging to engage with. However, its unique style and haunting narrative have resonated with audiences who appreciate psychological horror that prioritizes mood and character over conventional scares. The film stands out for its ability to evoke fear through suggestion and atmosphere rather than relying on jump scares or graphic violence.

In conclusion, “I Am the Pretty Thing That Lives in the House” is a haunting and thought-provoking film that captivates audiences with its eerie beauty and psychological depth. Directed by Oz Perkins, the film artfully explores themes of memory, identity, and the lingering effects of the past. Through the journey of Lily Saylor, “I Am the Pretty Thing That Lives in the House” invites viewers to confront their own fears and the shadows that reside in all of us. This film is a significant contribution to the realm of psychological horror, offering a unique and unsettling experience that lingers long after the credits roll.